Mirrors are instruments of both reflection and transformation. They invite moments of self-examination while also opening the possibility of infinite visual worlds. Art historian Christopher J. Jones describes reflection in art as a portal to the “anti-world,” revealing aspects of the subject that might otherwise remain unseen.

This series explores the mirror as both object and metaphor—multiplying perspectives, distorting space, and expanding perception. The work draws inspiration from artists such as John William Waterhouse, Caravaggio, Yayoi Kusama, and Joey Arias.

Mirrors are instruments of both reflection and transformation. They invite moments of self-examination while also opening the possibility of infinite visual worlds. Art historian Christopher J. Jones describes reflection in art as a portal to the “anti-world,” revealing aspects of the subject that might otherwise remain unseen.

This series explores the mirror as both object and metaphor—multiplying perspectives, distorting space, and expanding perception. The work draws inspiration from artists such as John William Waterhouse, Caravaggio, Yayoi Kusama, and Joey Arias.